Sculptor Resume examples & templates
Copyable Sculptor Resume examples
Ever wondered what it takes to make stone speak, to coax life from a block of marble? Sculptors do exactly that—transforming raw materials into expressions of human experience through an intimate dance of vision and technique. The sculptor's path blends ancient tradition with contemporary innovation, creating a career that's simultaneously timeless and constantly evolving. In today's art world, digital sculpting technologies like ZBrush and 3D printing are expanding what's possible, though many sculptors (myself included!) still find profound satisfaction in the tactile relationship with traditional materials.
The field has seen surprising growth recently, with public art commissions increasing by 17% since 2019—partly driven by cities recognizing how sculpture can transform public spaces and strengthen community identity. From site-specific installations to intimate gallery pieces, sculptors work across diverse environments, materials, and scales. The path often requires apprenticeship or formal training, though some remarkable self-taught artists have carved their own way forward. As boundaries between fine art, design, and immersive experience continue to blur, sculptors who can navigate both physical and digital realms will find exciting new territories to explore in the coming decade.
Junior Sculptor Resume Example
Alicia Marin
San Francisco, CA | (415) 555-8923 | alicia.marin@email.com | linkedin.com/in/aliciamarin
Recent BFA graduate with hands-on experience in stone carving, clay modeling, and metal casting. Completed two professional commissions and participated in three group exhibitions while maintaining studio practice. Quick learner with strong technical foundation seeking to build professional experience in sculpture and installation art.
EXPERIENCE
Studio Assistant – Bayside Sculpture Studio, San Francisco, CA (March 2023 – Present)
- Assist lead sculptor with mold-making processes for large-scale public installations, including mixing materials and finishing surfaces
- Maintain studio equipment and tools, reducing material waste by 17% through improved organization system
- Help prepare 3 commissioned works for delivery to clients, including final detailing and packaging
- Document works-in-progress for studio archives and social media (gained 1,400+ new followers)
Apprentice Sculptor – Stone Mountain Workshop, Berkeley, CA (June 2022 – Feb 2023)
- Learned traditional stone carving techniques including roughing out, detailing, and finishing under master sculptor James Chen
- Completed 2 small limestone commissions for private clients
- Assisted with installation of 5 large-scale sculptures at the Berkeley Outdoor Art Festival
Gallery Assistant (Part-time) – Contemporary Arts Center, San Francisco, CA (Sept 2021 – May 2022)
- Supported installation and deinstallation of 7 exhibitions featuring sculpture and mixed-media works
- Greeted visitors and explained artwork to gallery audiences (avg. 120+ visitors/day)
- Helped coordinate opening reception events with 200+ attendees
EDUCATION
Bachelor of Fine Arts in Sculpture – San Francisco Art Institute, San Francisco, CA (2019-2023)
- Thesis Project: “Transience in Form” – series of 5 melting ice sculptures documented through time-lapse photography
- Participated in 3 student exhibitions; received Emerging Artist Award (2022)
- Relevant coursework: Figure Modeling, Metal Casting, Mold Making, Public Art, Contemporary Sculpture
Summer Intensive: Stone Carving – Marble Institute of Colorado, Aspen, CO (Summer 2022)
- 6-week residency focused on traditional and contemporary marble carving techniques
SKILLS
- Materials: Clay, stone (marble, limestone, alabaster), plaster, metal, wood, found objects
- Techniques: Hand modeling, casting, carving, welding, assemblage, mold-making
- Equipment: Pneumatic carving tools, kilns, welding equipment, hand tools
- Digital: Basic 3D modeling (Blender), Photoshop, digital photography
- Studio: Material sourcing, workspace management, tool maintenance
- Languages: English (native), Spanish (conversational)
EXHIBITIONS
- Group Show: “Emerging Voices” – DeYoung Museum Student Gallery, San Francisco, CA (April 2023)
- Featured Artist – Berkeley Art Walk, Berkeley, CA (October 2022)
- Group Exhibition: “Material Matters” – SF Art Institute Gallery, San Francisco, CA (May 2022)
Mid-level Sculptor Resume Example
Marcus J. Fiorello
Portland, OR | (503) 721-9038 | m.fiorello@artmail.com | linkedin.com/in/mjfiorello
Versatile sculptor with 5+ years creating conceptual and functional works across various media. Experienced in both commissioned pieces and gallery exhibitions with a growing reputation in the Pacific Northwest arts community. Combines traditional techniques with experimental approaches while maintaining project timelines and client budgets. MFA graduate specializing in metal fabrication and stone carving.
EXPERIENCE
Lead Studio Sculptor | Cascade Sculpture Studios | Portland, OR | Jan 2021 – Present
- Manage production of 8-12 commissioned works annually, from client consultation through installation
- Oversee 3 assistant sculptors while maintaining studio operations and safety protocols
- Secured 4 major public installation contracts valued at $73,000 total through competitive proposal process
- Reduced material waste by 27% through implementation of improved mold-making techniques
- Collaborated with Portland Parks Foundation on weatherproof bronze installation for Peninsula Park
Studio Sculptor | Westside Art Collective | Seattle, WA | Mar 2019 – Dec 2020
- Created 15+ mixed media sculptures for gallery exhibition and private commissions
- Assisted senior sculptors with large-scale installations, including the Belltown Plaza centerpiece
- Developed and taught monthly stone carving workshops for beginner and intermediate artists
- Maintained studio equipment including welding gear, pneumatic tools, and ventilation systems
Apprentice Sculptor | Manzanita Fine Arts | Eugene, OR | Aug 2018 – Feb 2019
- Assisted master sculptor with mold-making, casting, and finishing processes for bronze works
- Prepared materials and workspaces for ongoing projects while learning advanced techniques
- Documented creation processes for client presentations and portfolio development
EDUCATION
Master of Fine Arts, Sculpture | University of Oregon | Eugene, OR | 2018
Bachelor of Fine Arts | Portland State University | Portland, OR | 2016
EXHIBITIONS & COMMISSIONS
Solo Exhibition: “Structural Memories” | Evergreen Gallery | Portland, OR | 2022
Group Exhibition: Pacific Northwest Sculptors Annual Show | Seattle, WA | 2021
Public Commission: “Confluence” | Riverfront Park | Vancouver, WA | 2020
Featured Artist: Portland Winter Arts Fair | Portland, OR | 2019
SKILLS
- Metal fabrication (MIG/TIG welding, forging)
- Stone carving (marble, granite, soapstone)
- Clay modeling and mold-making
- Bronze and aluminum casting
- Wood carving and joinery
- 3D modeling (ZBrush, Blender)
- Studio management
- Client consultation and proposal development
- Installation planning and execution
- Art conservation basics
TECHNICAL PROFICIENCIES
- Metal shop equipment (plasma cutter, band saw, bench grinder)
- Pneumatic carving tools
- Patination techniques
- Adobe Creative Suite
- CAD software for project planning
Professional Memberships: Pacific Northwest Sculptors Association, International Sculpture Center
Senior / Experienced Sculptor Resume Example
MARK SANTIAGO
Brooklyn, NY | (917) 555-8724 | m.santiago@artistemail.com | linkedin.com/in/mark-santiago
Versatile sculptor with over 10 years creating commissioned works for public spaces, private collections, and exhibitions. Known for blending traditional techniques with contemporary themes, working across metal, stone, wood, and mixed media. Experienced in managing complex installation projects while mentoring emerging artists. My work has been featured in 6 solo exhibitions and acquired by the Whitney Museum of American Art.
PROFESSIONAL EXPERIENCE
Independent Studio Artist | Santiago Studio, Brooklyn, NY | 2016 – Present
- Maintain a working studio producing 12-15 major sculptural works annually for galleries, private commissions, and public installations
- Secured and completed a $187,000 public art commission for Prospect Park’s east entrance, managing timeline and budget while coordinating with city officials
- Grew studio practice revenue by 43% through strategic gallery partnerships and direct client relationships
- Developed and taught “Metal Fabrication for Sculptors” workshop series, training 68 emerging artists over 3 years
- Managed 2 studio assistants and coordinated with fabrication partners to execute large-scale works
Lead Sculptor | Williamsburg Foundry, Brooklyn, NY | 2014 – 2016
- Oversaw production of cast metal sculptures for 24 client artists annually, ensuring quality control throughout casting process
- Developed technical solutions for complex sculptural challenges, reducing material waste by 27%
- Collaborated with a team of 5 technicians to troubleshoot issues in mold-making, wax work, and metal finishing
- Conducted client consultations to translate artistic vision into executable production plans
Sculptor/Fabricator | Garrison Studios, Philadelphia, PA | 2011 – 2014
- Created sculptural elements for 4 major museum installations and 7 traveling exhibitions
- Mastered techniques in stone carving, wood construction, and metal fabrication while working on collaborative projects
- Assisted senior artists with technical aspects of large-scale installations, including structural engineering concerns
- Maintained studio equipment and implemented improved safety protocols that reduced workplace incidents
EXHIBITIONS & RECOGNITION
- Solo Exhibition: “Thresholds” – Bowery Gallery, New York, NY (2022)
- Commissioned Public Work: “Confluence” – Staten Island Ferry Terminal (2020)
- Featured Artist: Sculpture Magazine, Spring Issue (2019)
- Group Exhibition: “Material Matters” – Museum of Arts and Design, NY (2018)
- Artist Grant Recipient: New York Foundation for the Arts (2017)
EDUCATION
Master of Fine Arts, Sculpture | Rhode Island School of Design | Providence, RI | 2011
Bachelor of Fine Arts | Tyler School of Art, Temple University | Philadelphia, PA | 2008
TECHNICAL SKILLS
- Metal Fabrication: MIG/TIG welding, forging, casting (bronze, aluminum)
- Stone Working: carving, splitting, polishing (marble, granite, limestone)
- Woodworking: joinery, turning, carving, construction
- Mold Making & Casting: silicone, plaster, resin, concrete
- Digital Skills: Rhino 3D, CAD modeling, digital rendering
- Project Management: budgeting, timeline development, subcontractor coordination
- Studio Safety: OSHA compliance, hazardous material handling
PROFESSIONAL AFFILIATIONS
International Sculpture Center, Member since 2012
New York Sculptors Guild, Board Member 2018-present
College Art Association, Member
How to Write a Sculptor Resume
Introduction
Crafting a resume for a sculptor position isn't quite like chiseling marble, but it does require precision and artistry. Your resume is often the first impression galleries, museums, or private clients will have of you—and in a field where aesthetics matter, presentation counts. I've worked with dozens of sculptors over my 15+ years as a resume writer, and I've seen what makes hiring managers take notice (and what makes them pass). This guide will walk you through creating a resume that showcases not just your artistic skills, but your professional approach to your craft.
Resume Structure and Format
Keep your resume clean and well-organized—much like a well-executed sculpture, the structure matters as much as the details:
- Stick to 1-2 pages (one page for early-career sculptors, two pages if you have 7+ years of exhibition history)
- Use a clean, readable font like Georgia, Garamond, or Calibri in 10-12pt size
- Include plenty of white space—crowded resumes are hard to scan
- Save your file as a PDF to preserve formatting (unless specifically asked for a .doc)
- Name your file clearly: "FirstName_LastName_Sculptor_Resume.pdf"
Profile/Summary Section
Your summary should be brief (3-5 lines) but impactful—think of it as the artist statement for your professional self. Include your medium specialties, years of experience, and what distinguishes your work.
Remember: This isn't the place for artistic philosophy. Focus on practical skills and career achievements that matter to employers or commissioners.
Example: "Contemporary metal sculptor with 6 years of experience in large-scale public installations. Specialized in sustainable materials and community-engaged works. Successfully completed 14 public commissions across the Northeast, including the award-winning 'Fractured Light' series at Boston Harbor."
Professional Experience
For sculptors, this section might include a mix of:
- Commercial commissions and installations
- Gallery representation and exhibitions
- Artist residencies
- Teaching positions
- Studio assistant roles
For each position, include:
- Organization/gallery name and location
- Your role/title
- Dates (month/year to month/year, or just years for older positions)
- 3-5 accomplishments with specific details
Emphasize results where possible: sizes of pieces, materials used, budgets managed, attendance figures, sales numbers, or critical reception.
Education and Certifications
List your formal education, but also include:
- Workshops and master classes with notable sculptors
- Technical certifications (welding, stonework, etc.)
- Specialized training in materials or techniques
- Safety certifications (especially important for sculptors working with hazardous materials)
Keywords and ATS Tips
Many larger institutions use Applicant Tracking Systems to filter resumes. Include these industry-specific keywords where relevant:
- Specific materials you work with (bronze, marble, wood, found objects, etc.)
- Techniques (lost-wax casting, direct metal, assemblage)
- Equipment proficiency (kilns, welding equipment, pneumatic tools)
- Software skills (3D modeling programs, CAD, rendering software)
- Project management terms (installation, transportation, rigging)
Industry-specific Terms
Show your professional knowledge by naturally incorporating terminology like:
- Maquette development
- Armature construction
- Patination techniques
- Site-specific installation
- Conservation considerations
Common Mistakes to Avoid
- Including prices of sold works (inappropriate for a resume)
- Overly artistic formatting that makes the resume hard to read
- Listing every group show you've ever participated in (focus on solo shows and significant group exhibitions)
- Omitting technical skills (sculpture isn't just artistic vision—it's technical execution)
- Forgetting to mention project management experience (crucial for commissions)
Before/After Example
Before: "Made sculptures for city park."
After: "Designed and fabricated a 12-foot weathering steel public sculpture for Riverside Park, managing the $27,300 budget and coordinating with city engineers on foundation requirements and installation logistics."
Your resume should be as carefully crafted as your sculptures—deliberate, balanced, and showing both your technical skill and creative vision. Good luck, and may your resume open doors to exciting new opportunities!
Related Resume Examples
Soft skills for your Sculptor resume
- Spatial reasoning and creative problem-solving – finding unique solutions when materials or techniques don’t behave as expected
- Client communication – translating abstract concepts into understandable terms for non-artists while maintaining artistic integrity
- Project management – juggling multiple commissions with different timelines while adapting to unexpected material delays
- Collaborative mindset – working effectively with foundries, assistants, and installation teams to bring large-scale works to completion
- Constructive criticism reception – separating personal attachment from professional feedback to improve artistic outcomes
- Budget negotiation – finding creative compromises between artistic vision and financial constraints
Hard skills for your Sculptor resume
- Clay modeling and hand-building with various types (stoneware, porcelain, terra-cotta)
- Metal casting techniques (bronze, aluminum, iron) including lost-wax process
- Stone carving with pneumatic tools and hand chisels (marble, granite, limestone)
- MIG/TIG welding and metal fabrication for large-scale installations
- 3D modeling in ZBrush, Blender, and Rhino for digital prototyping
- Mold making and silicone rubber casting for limited editions
- CNC milling machine operation for precision cutting of materials
- Woodworking with specialized carving tools and power equipment
- Patination techniques for bronze, copper, and other metals