Printmaker Resume examples & templates

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Copyable Printmaker Resume examples

Ever wondered how those striking art prints hanging in galleries actually come to life? As a printmaker, you're part of a centuries-old tradition that's constantly reinventing itself. Printmaking straddles that fascinating line between fine art and technical craft, requiring both creative vision and meticulous technical skill. From traditional woodcuts and etchings to contemporary digital processes, this field embraces both history and innovation.

The printmaking world has seen a surprising resurgence in recent years, with a 17% increase in print exhibition attendance since 2019 (American Printmaking Council, 2023). This revival stems partly from collectors' growing appreciation for handmade, tangible art in our increasingly digital world. Small-batch prints and artist collaborations are particularly hot right now, while eco-friendly printing practices are reshaping studio operations across the industry. Whether you're drawn to the therapeutic rhythm of a printing press or the precision of digital output, printmaking offers a unique career path where your technical expertise and artistic vision can literally leave an impression on the world.

Junior Printmaker Resume Example

Mia Sandoval

Brooklyn, NY | (347) 555-8912 | msandoval.print@gmail.com | linkedin.com/in/miasandoval

Print artist with formal training in lithography, screen printing, and relief techniques. Recent graduate with hands-on experience in collaborative print shops and a growing portfolio of independent work. Known for attention to detail and creative problem-solving when working with different print surfaces and materials. Looking to build on my foundation while contributing to a creative print studio environment.

Experience

Print Studio Assistant – Red Hook Print Workshop, Brooklyn, NY (January 2023 – Present)

  • Maintain print studio equipment including 2 etching presses, screen printing station, and letterpress setup
  • Assist 12+ members with technical questions and troubleshooting during open studio hours
  • Mix inks and prepare materials for workshops, reducing material waste by 17%
  • Created instructional handouts for new members on press safety and basic techniques

Print Intern – Williamsburg Art Collective, Brooklyn, NY (September 2022 – December 2022)

  • Collaborated with 3 established printmakers on limited edition series of 45 prints
  • Managed social media content featuring works-in-progress and finished pieces
  • Helped coordinate 2 gallery openings with attendance of 75+ visitors each
  • Developed skills in registration techniques for multi-color prints

Gallery Assistant (Part-time) – Student Gallery, Pratt Institute, Brooklyn, NY (August 2021 – May 2022)

  • Supervised gallery during open hours and assisted with visitor questions
  • Helped install/de-install 6 student exhibitions throughout the academic year
  • Created digital archive of exhibition documentation and artist statements

Education

BFA in Printmaking – Pratt Institute, Brooklyn, NY (Graduated May 2022)

  • Concentration in lithography and relief printing
  • Senior thesis exhibition: “Layered Memory” – series of 8 multi-plate color prints
  • Received Emerging Printmaker Scholarship (2021)

Printmaking Workshop – Anderson Ranch Arts Center, Snowmass Village, CO (Summer 2021)

  • Two-week intensive on experimental monoprinting techniques

Skills

  • Traditional Processes: Lithography, etching, relief printing, screen printing, monotype, collagraph
  • Equipment: Vandercook press, etching press, screen printing equipment, letterpress
  • Digital: Adobe Photoshop, Illustrator, InDesign, basic HTML
  • Materials: Paper preparation, ink mixing, plate preparation
  • Studio: Equipment maintenance, chemical safety, workspace organization
  • Other: Exhibition installation, artist statement writing, inventory management

Portfolio & Projects

  • Personal website featuring print portfolio: miasandovalprint.com
  • Group exhibition: “Fresh Impressions” – Greenpoint Gallery, June 2023
  • Community project: Led printmaking workshop for high school students, April 2023

Mid-level Printmaker Resume Example

Alicia Mendez

Los Angeles, CA | (213) 555-7891 | a.mendez.prints@gmail.com | linkedin.com/in/aliciamendez

Printmaker with 5+ years experience specializing in relief and intaglio techniques. Exhibited work in 7 galleries across California and collaborated with local artists on limited edition prints. Skilled in traditional printmaking methods while embracing digital innovations. Looking to bring my technical expertise and creative vision to a studio environment where I can contribute to community-focused print projects.

EXPERIENCE

Lead Printmaker – Westside Print Collective, Los Angeles, CA (June 2021 – Present)

  • Manage daily operations of a community printmaking studio serving 35+ member artists
  • Coordinate and teach 3 different printmaking workshops monthly, resulting in 27% increase in studio membership
  • Developed and implemented safety protocols for all equipment, reducing workplace incidents to zero
  • Created and printed 4 limited edition series (editions of 50) for gallery exhibitions and online sales
  • Maintain and troubleshoot 2 etching presses, letterpress, and relief printing equipment

Associate Printmaker – Pacific Arts Press, San Diego, CA (March 2019 – May 2021)

  • Collaborated with 12 visiting artists to produce limited edition prints using lithography and etching
  • Assisted in teaching introductory printmaking classes to groups of 8-15 students
  • Researched and tested eco-friendly printing materials, cutting studio’s toxic waste by 31%
  • Helped coordinate 2 annual print fairs featuring work from 20+ regional artists

Print Studio Assistant – ArtSpace Gallery, San Francisco, CA (September 2018 – February 2019)

  • Assisted master printmaker with plate preparation, inking, and printing processes
  • Maintained inventory of printing supplies and coordinated with vendors for restocking
  • Helped organize exhibition of contemporary printmaking featuring 8 Bay Area artists

EDUCATION

Bachelor of Fine Arts, Printmaking – California College of the Arts, San Francisco, CA (2018)

Certificate in Non-Toxic Printmaking Techniques – Zea Mays Printmaking, North Adams, MA (2020)

RESIDENCIES & EXHIBITIONS

Artist-in-Residence – Kala Art Institute, Berkeley, CA (Summer 2022)

Group Exhibition – “Impressions: Contemporary Printmaking” – Horizon Gallery, Los Angeles, CA (2021)

Featured Artist – Southern California Print Fair, Long Beach, CA (2020)

SKILLS

  • Relief printing (woodcut, linocut)
  • Intaglio (etching, drypoint, engraving)
  • Lithography & monotype
  • Screen printing
  • Non-toxic printmaking methods
  • Digital design tools (Adobe Illustrator, Photoshop)
  • Press maintenance & troubleshooting
  • Archival framing techniques
  • Studio management
  • Artist collaboration
  • Basic bookbinding

TECHNICAL PROFICIENCIES

Adobe Creative Suite, Takach Etching Press, Vandercook Letterpress, Griffin etching press, paper selection & handling, sustainable studio practices

Senior / Experienced Printmaker Resume Example

Morgan L. Ramirez

Brooklyn, NY 11211 • (718) 555-4982 • m.ramirez.print@gmail.com
www.linkedin.com/in/morganramirez • www.morganramirezstudiio.com

Fine art printmaker with over 12 years producing exceptional lithographs, etchings, and relief prints. Master printer who’s collaborated with 40+ established and emerging artists while maintaining my own exhibition practice. Known for problem-solving complex technical challenges and reviving traditional printmaking techniques. Currently managing a print studio while teaching workshops and creating commissioned work for galleries and private collectors.

PROFESSIONAL EXPERIENCE

Lead Printmaker & Studio Manager | Highpoint Editions, Brooklyn, NY | 2018-Present

  • Oversee daily operations of a 2,400 sq ft print studio serving 35+ professional artists and maintaining 6 presses
  • Collaborate directly with visiting artists to translate their vision into limited edition prints, completing 14 artist residencies since 2019
  • Manage $87,000 annual supply budget and inventory tracking system, reducing material waste by 31%
  • Train and supervise 3 junior printmakers and 2 studio assistants, creating standardized training protocols
  • Introduced water-based screen printing methods that eliminated toxic solvents while maintaining print quality
  • Developed partnerships with 3 local galleries, increasing studio visibility and commissioned projects by 42%

Printmaker & Teaching Artist | Manhattan Graphics Center, New York, NY | 2014-2018

  • Produced limited edition prints for 22 artists using intaglio, relief, lithography, and monotype techniques
  • Created and taught “Experimental Etching” workshop series, consistently filling all 12 spots for 8 consecutive sessions
  • Maintained and repaired 4 etching presses, 2 lithography presses, and acid baths
  • Developed innovative acid-free etching methods for artists with chemical sensitivities
  • Assisted in curating 6 group exhibitions featuring studio members and visiting artists

Printer’s Assistant | Tamarind Institute, Albuquerque, NM | 2011-2014

  • Assisted master printers in producing museum-quality lithographs for renowned artists
  • Prepared stones and plates, mixed inks, and maintained precise registration during printing process
  • Documented printing processes through detailed notes and photography for archival purposes
  • Helped implement new stone graining techniques that improved overall print quality

INDEPENDENT WORK

  • Maintain active studio practice with solo exhibitions at Planthouse Gallery (2021) and IPCNY (2019)
  • Published limited edition artist book “Trace Elements” (edition of 75) acquired by 6 university collections
  • Artist residencies: Kala Art Institute (2022), Women’s Studio Workshop (2018), Vermont Studio Center (2015)

EDUCATION

MFA, Printmaking | Rhode Island School of Design, Providence, RI | 2011
BFA, Studio Art | University of New Mexico, Albuquerque, NM | 2008

TECHNICAL SKILLS

  • Printmaking: Lithography (stone and plate), etching, aquatint, drypoint, relief printing, monotype, screenprinting, letterpress
  • Materials: Paper selection/handling, ink formulation, plate preparation, acid management
  • Equipment: Takach presses, Griffin etching presses, Vandercook letterpress, vacuum exposure units
  • Digital: Adobe Creative Suite, digital pre-press preparation, scanning, digital/traditional hybrid techniques
  • Administrative: Studio management, inventory systems, basic bookkeeping, equipment maintenance

PROFESSIONAL AFFILIATIONS

Southern Graphics Council International • American Print Alliance • NY Society of Etchers

How to Write a Printmaker Resume

Introduction

Crafting a resume for printmaking positions requires showcasing both technical skill and artistic vision. Whether you're a lithographer, screen printer, etcher, or work across multiple techniques, your resume needs to speak to both the artistic and practical sides of the profession. I've helped dozens of printmakers land positions in fine art studios, academic settings, and commercial print shops over my 15+ years as a resume writer. This guide will help you translate your unique artistic practice into a document that resonates with employers.

Resume Structure and Format

Keep your resume clean and well-organized—much like a well-executed print! Most printmaker resumes should be 1-2 pages, depending on your experience level. For early-career artists, stick to one page; established printmakers with extensive exhibition histories can extend to two.

  • Use a clean, readable font (Garamond, Helvetica, or Century Gothic work well)
  • Maintain consistent spacing (8-11pt font with 0.5-1" margins)
  • Include clear section headings that stand out
  • Consider a subtle touch of design that reflects printmaking aesthetics without overwhelming the content
  • Save and send as a PDF to preserve formatting (unless specifically requested in another format)

Profile/Summary Section

Your profile should quickly capture your printmaking specialty, experience level, and unique approach. This 3-4 sentence paragraph sits at the top of your resume and serves as your professional introduction.

Think of your profile as the artist statement for your professional self—concise but compelling. It should make the reader want to see more of your work.

Example: "Screen printer with 6 years of experience specializing in water-based techniques and CMYK color separation. Technical expertise in creating fine art editions and commercial applications, with particular focus on textile printing. Known for developing innovative registration methods that reduced setup time by 37% at Riverside Print Studio."

Professional Experience

List your experience in reverse chronological order, highlighting both technical skills and creative contributions. For each position, include:

  • Studio/employer name and location
  • Your position title and dates worked
  • 3-5 bullet points describing accomplishments (not just duties)
  • Specific print techniques you've mastered or taught
  • Quantifiable achievements (editions produced, exhibitions secured, etc.)

When describing your work, use active verbs like "created," "produced," "designed," "collaborated," and "developed." For example: "Created a series of 8-color reduction woodcuts that sold out during gallery opening, generating $7,200 in revenue."

Education and Certifications

Include formal education, workshops, and technical certifications relevant to printmaking. For seasoned printmakers, this section can be brief. For recent graduates, expand this section to include:

  • Degrees earned (BFA, MFA, etc.) with institution and graduation year
  • Relevant coursework or thesis projects in printmaking techniques
  • Workshops or master classes with notable printmakers
  • Technical certifications (press operation, chemical safety, etc.)
  • Teaching assistantships or studio monitor positions

Keywords and ATS Tips

Many employers use Applicant Tracking Systems to filter resumes. Include these printmaking-specific keywords throughout your resume:

  • Specific techniques: intaglio, relief, lithography, screen printing, monotype, collagraph, digital printing
  • Equipment: etching press, lithography press, screen printing press, exposure unit, vacuum table
  • Materials: inks, plates, stones, screens, blocks, acid, photo emulsion
  • Software: Adobe Creative Suite, especially Photoshop and Illustrator
  • Skills: color mixing, registration, edition management, plate preparation

Industry-specific Terms

Demonstrate your expertise by naturally incorporating printmaking terminology. Terms like "chine-collé," "à la poupée," "offset lithography," or "CMYK separation" signal to employers that you speak the language of the craft. Just make sure you're using terms relevant to your actual experience—print shop managers can spot technical bluffing from a mile away!

Common Mistakes to Avoid

  • Focusing only on artistic merits while ignoring technical competencies
  • Listing every exhibition without highlighting significant ones
  • Forgetting to mention experience with studio maintenance or safety protocols
  • Using overly creative formatting that might not parse correctly in ATS systems
  • Omitting collaborative projects or teaching experience

Before/After Example

Before: "Helped students learn printmaking."

After: "Instructed 43 undergraduate students in advanced intaglio techniques, developing a modified ferric chloride etching process that reduced chemical use by 22% while maintaining plate quality."

Your printmaker resume should be as meticulously crafted as your finest edition. Good luck with your application!

Soft skills for your Printmaker resume

  • Collaborative critiquing – giving and receiving feedback constructively with artists, clients and gallery owners
  • Project management across multiple print runs and exhibition deadlines
  • Clear communication of technical processes to non-printmakers (especially during workshops or client meetings)
  • Material resourcefulness – finding creative solutions with available supplies
  • Mentorship of studio assistants and emerging printmakers
  • Adaptability between traditional and contemporary printmaking approaches

Hard skills for your Printmaker resume

  • Intaglio printing (etching, drypoint, mezzotint) with 5+ years hands-on experience
  • Relief printing techniques including woodcut, linocut, and wood engraving
  • Lithography on both limestone and aluminum plates
  • Screen printing with water-based and plastisol inks on diverse substrates
  • Digital integration using Adobe Creative Suite (Photoshop, Illustrator, InDesign)
  • Non-toxic printmaking methods including acrylic resist etching
  • Press maintenance and troubleshooting for Takach, Brand, and Griffin presses
  • Paper selection and handling (Western and Japanese papers)
  • Color mixing and ink modification for specific print processes